Barry shared with me an OpEd piece in yesterday’s Washington
Post. This immediately brought to mind that movie we saw and I wrote about here
a few months ago, “The Fault in Our Stars.” I had been interested in seeing
that movie because the main character, a teenaged girl, required the use of full-time
supplemental oxygen. I was hard pressed to find anything good to say about the
movie. This week, Fox television is showing the premiere of a new series, “The
Red Band Society,” about a hospital ward for children with serious and terminal
illnesses.
It is fair to say that my demographic is not the target
audience for this series. This will likely attract a similar audience to “The
Fault in Our Stars,” as well as movie we did not see, “If I Stay”: adolescent
girls. They are certainly an audience who are happy to watch this type of
rose-colored-glasses portrayal of suffering.
I have copied the Washington Post piece here. This young
woman has done a far better job of articulating these thoughts than I ever
could.
Hollywood
has it wrong: I’m a teenager with an illness, and it’s not glamorous at all
By
Lillie Lainoff September 12
Lillie
Lainoff is a sophomore at Yale University.
In
2008, it was all about vampires. In 2011, it was dystopian societies with
corrupt governments. And now, 2014 seems to be the year of teenagers with fatal
diseases.
As
far as Hollywood obsessions go, the first two are pretty benign. In real life,
there are no supernatural creatures roaming the streets at night thirsting for
human blood, no game shows forcing adolescents to fight to the death.
Romanticizing those subjects isn’t that worrisome. A vampire is never going to
write “Twilight” author Stephenie Meyer to tell her: “I’m not being portrayed
properly, and now everyone thinks I sparkle.”
But
teenagers with illnesses do exist. I am one of them, and it hurts to see movies
and television glamorize our suffering.
When
I was 14, I was diagnosed with an autonomic nervous system disorder called
postural orthostatic tachycardia syndrome (POTS) that causes extreme dizziness,
fatigue and other debilitating symptoms. At first I was just more tired than
usual. But then, as I entered high school, I found myself unable to complete
even the simplest tasks. I went from being a nationally ranked sabre fencer to
having to crawl to the shower in the morning, my body too weak to stand up.
My
mom would wake me up at 7 each morning to lift my legs in the air so the blood
that had pooled in my feet, a side effect of the disorder, could more easily
make its way back to my heart. Instead of spending my time between classes
talking to friends, I hid in the bathroom to take blood-pressure medication,
upwards of 20 pills a day. As time went on, I spent less time at school and
more at home, in my bed, too exhausted to move.
In
the past five years I’ve spent quite a bit of time in emergency rooms and
hospitals across the country, and none of the patients I’ve seen were anything
like the characters in the hospital portrayed in the pilot episode of “Red Band
Society,” a new Fox show premiering Wednesday.
Viewers
glimpse the lives of teenagers living in a fictional pediatric ward, including:
Leo and Jordi, who are both suffering from bone cancer; Dash, who has cystic
fibrosis; Kara, who has an enlarged heart; Emma, who has anorexia; and Charlie,
who’s in a coma that is not explained. Most of the characters seem plucked from
any high school and placed into a hospital. Their medical conditions are a side
note; they look bright, well-rested, everything that patients in hospitals are
not. The one exception is a character who is bald because of chemo.
I’ve
been to the Mayo Clinic in Rochester, Minn., and Children’s Hospital in
Washington. Unlike Dash, who runs around pulling hijinks, the boy I saw with
cystic fibrosis was resting on a couch next to his mother, his face tinged a
purplish blue. The teenagers going through chemotherapy weren’t racing down the
hospital hallways in wheelchairs; they were holding onto plastic buckets in
case they threw up. I’m not saying they were never happy. I can still remember
the smile of a 6-year-old girl whom I sat next to in a waiting room at Mayo,
glimpses of her balding head showing through a floral-printed scarf. While most
children her age seem to have boundless energy, she sat quietly. At least half
of the patients were attached to heart monitors or oxygen tanks, or were in
wheelchairs.
“Red
Band Society” is being lauded as a departure from the idealization of teen
chronic illness and death in recent young-adult books and movies such as “The
Fault in Our Stars” and “If I Stay.” Merrill Barr writes in Forbes that “what
audiences will immediately take notice of in Red Band Society is its
willingness to not sugarcoat the reality of the patients’ various situations.”
But based on the pilot, nothing in how the patients are portrayed is realistic.
The viewer never sees a character taking medication, going through a treatment
or doing anything that a typical patient does in a hospital.
Compared
with “The Fault in Our Stars” and “If I Stay,” in many ways “Red Band Society”
(I watched the pilot during a free Web promotion) is more damaging and hurtful
because it seems to assume that most sick teenagers can do everything healthy
teenagers do — from having enough energy to go to parties to being optimistic
about their situations.
Maybe
I’d feel differently about the show if the ever-talented Octavia Spencer had
been my nurse and had bought me 10 boxes of pizza, like she did for one of the
characters in the pilot. I had excellent nurses, but it was clear that they
were there to provide medical care, not to be my friends. Maybe if my hospital
rooms had had huge windows and freshly pressed, colorful sheets and blankets,
and had been large enough to fit 20 people comfortably, I would have been less
miserable. But I doubt it. In “Red Band Society,” these props mask the gravity
of the kids’ illnesses. But no matter how many cool posters or flat-screen TVs
the set designer puts on the walls, they are still the walls of a hospital
room.
In
some ways the show’s faux-realism could be considered positive. I understand
the power of portraying sick teenagers as “normal.” No one should be defined by
his or her illness. However, I would be lying if I said that my disorder did
not shape who I am. Although my condition is under control, it is something
that is always present, that I will have to struggle with. Yes, I am more
resilient and thankful for the life I have. But I would give up that gratitude
if it meant that I could have never been sick, because, along with newfound
strength there is emotional exhaustion. Aside from feeling horrible physically,
I became more guarded, unwilling to let even my closest friends know how I was
coping. And there is the constant fear that my disorder will get worse again,
that I will lose everything I have worked for.
One
of the best pieces of advice from my doctor at Mayo was: “Do not wear the
bracelet,” meaning that I shouldn’t let my illness become my identity.
I
am not my illness. But it is part of me.
According
to “Red Band Society’s” Leo, “Your body isn’t you, your soul is you, and they
can never cut into your soul.” However, the show’s writers seem to forget that
every time you start a new medication or treatment, every time you get a new
diagnosis, every time you hear the words “there is no cure,” your soul is cut
into. It might heal eventually, but there will always be a scar, a reminder of
the pain, the grief.
At
one point in the pilot episode, Charlie, the narrator — who inexplicably speaks
to the audience while in a coma — says, “Living in a hospital is sort of like
going to a boarding school; you have a lot of rules but a lot of freedom.” How
would he know? He’s in a coma. In fact, in hospitals there are far fewer people
to interact with who are your age. In waiting rooms, parents might talk and try
to seek solidarity with other patients’ parents. But most of us are focused on
getting to appointments and are too worn down from treatments to form
relationships with other patients. There might be a few sentences exchanged
here and there, but more often than not the patients I saw didn’t talk to one another.
At
the end of the pilot, Charlie says: “Everyone thinks that when you go to a
hospital, life stops. But it’s just the opposite. Life starts.”
After
hearing those words, I wanted to cry. Life does not start when you go to a
hospital. If you’re lucky enough to have a non-terminal illness, life
continues, in a warped version that includes more pain and obstacles than any
young person should have to experience.
I am all for whatever it takes for patients to keep their
spirits sufficiently high to get through treatment, and there is some evidence
that attitude can influence outcome. But lest anyone thinks otherwise, there is
nothing glamorous or romantic about it.
Love,
Rebecca